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Negotiation script.

The pre-scene conversation, written out. Pick your scene shape and we generate a script you can read together, edit, and print. Safewords, limits, scene arc, aftercare all covered. No script can replace honest communication, but having one in hand removes 80% of the awkwardness of starting.

1. Scene type
2. Your role
3. Experience together
4. Safeword system

Choose a word you would not say during sex (e.g. "pineapple", "scaffold", "Brighton").

Pick all four inputs to generate the script.

The rest of the flow

The script is the conversation. The other tools cover what to negotiate, what you both want, and what to do after.

Frequently asked

Why generate a script at all? Can't we just talk?
You can. But the first three or four times couples try a new scene type, "just talking" tends to skip the safety items because they feel unsexy. A script removes the awkwardness; you read it together once, agree it, move on. After a few scenes you can negotiate without it.
Is the script meant to be read aloud word-for-word?
No. It is a checklist of what to cover, with example phrasing for the parts that are hardest to say (the safeword agreement, the hard-limits ask, the aftercare arrangement). Use the wording or rewrite in your own voice.
Should we negotiate every scene, or just new ones?
Every new scene with a new partner. Every new activity within an existing partnership. Every time intensity steps up materially. For an established partnership doing a familiar scene, a quick verbal check-in is enough.
What if my partner finds negotiation a mood-killer?
The mood-killer is usually the format, not the act. Doing it over dinner the day before a scene, rather than 60 seconds before play starts, fixes 80% of this. The other 20% is realising the negotiation is part of the play, not separate from it.
What if my limits change during a scene?
That is what the safeword is for. Yellow ("approaching my limit, adjust") is the most important word in the system; use it freely. Red ("stop") gets used less if yellow is treated as a real signal.

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